Thursday, 13 January 2011

Meath County Council Grants and Bursaries

Do you live in Meath? Could you use some dosh?
All deadlines: 5pm Friday 11th February 2011

  • Festival Grant Scheme
  • Professional Artists Development Fund
  • Tyrone Guthrie Centre Award
  • Bi- Annual Arts Grant Scheme Phase I
  • Community Arts Award

This scheme is intended to support professional arts practitioners in County Meath in the delivery of their work and in particular the development of new works.
Individuals or companies applying for this fund must be practicing professional artists.

All details here

Wednesday, 12 January 2011

Currently Reading

New Year, New me.

Decided to note what I'm reading. This list includes some from 2010.


The Thousand Autumns of Jacob De Zoet
David Mitchell (Hardcover - May 13, 2010)
Brilliantly written. Great story. Makes me want to give up writing.


The Reader
Bernhard Schlink (Paperback - Dec 1, 2008)
Bit boring and obvious. Why do people rave about this?


The Savage Garden
Mark Mills (Paperback - Jul 2, 2007)
Enjoying this 1950's mystery though a little slow.


Mrs Tim of the Regiment (The Bloomsbury Group)
D. E. Stevenson (Paperback - Nov 2, 2009)
Delightful, witty early 20th century fun.


The Torment of Others
Val McDermid (Paperback - Mar 7, 2005)
Always love a good thriller. Val's one of the best crime writers around.


The Brief Wondrous Life of Oscar Wao
Junot Diaz (Paperback - Feb 5, 2009)
Not getting on with this. Too much on Trujillo, not enough story


Started Early, Took My Dog
Kate Atkinson (Hardcover - Aug 19, 2010)
Love Kate's writing. Parallel stories interwoven and witty


Warbreaker (Tor Fantasy)
Brandon Sanderson (Mass Market Paperback - Mar 30, 2010)
Wonderful fantasy book, believable built world, super characters


The Fry Chronicles
Stephen Fry (Hardcover - Sep 13, 2010)
Excellent. You feel you know him (though you don't) clever, curmodgenly and geeky though he is.

Tuesday, 11 January 2011

Advice on Crime (writing)

The Sweetness at the Bottom of the Pie
2007 winner of the Debut Dagger award, Canadian, Alan Bradley, came up with the idea of making his main protagonist an 11 year old girl with a taste for poisons.

Psst! Want to know a secret, sure-fire way of winning the Debut Dagger Award?
It may not be as difficult as you think.
First of all, come up with an absolute killer concept, and then outline it in a snappy 500 to 1000-word synopsis, which will become part of your entry. Remember that the synopsis is every bit as important as your 3000-word excerpt.
Make your entry stand out from the others. With 1000 or more entries to read, the judges are looking for the ones that leap off the page and grab them by the throats. It sounds painful but it’s true. Difference makes the difference, and I’ve heard by the grapevine that the last thing some judges are looking for is another horribly mutilated corpse.
The opening words are the most important you’ll ever write in your life. Don’t waste them. Your concept is vitally important but the execution of it is crucial.
Make every word, every sentence, every paragraph lead to the next. Polish your work until it sings: read it aloud (or have someone read it to you), check your spelling and check it again. Make sure it’s properly formatted (no funny fonts, no white-out, no hand-written corrections, no food stains, no coloured marker with hearts saying “Pick me!”). These are busy people who are working free of charge, and they’re just looking for a reason to chuck a sloppy manuscript over their shoulder.
Remember that written dialogue is only a simulation real life conversation; it’s a kind of shorthand. Look at the rhythms of written dialogue; make it snap with electricity.
Don’t say things like “I forbid you!” he expostulated” or “Set me free,” she implored.”
Edit, edit, and edit again.
Unless they’re intentional, wipe out clichés. Don’t write, “Isn’t that odd…she thought to herself”. Who else would she think to?
Blood and guts are not the only way to go. There are other fluids and solids that are far more interesting and much less hackneyed.
Use snappy Anglo-Saxon words like “crackled” instead of Latin-derived words like ‘crepitated”.
But when you come right down to it, it’s just 3000 words on a couple of sheets of paper. Make every one of them count.
If you were a Dagger judge, which of these openings would you choose?
A: “It was raining outside.”
or
B: “How long can I live with an arrow in my eye?”
My point exactly!

Alan won with The Sweetness at the Bottom of the Pie. Since then the book has gone on to win the Agatha Award, the Dilys Award, the Barry Award, the Arthur Ellis Award and the Macavity Award. It has been translated into 31 languages. It and its sequel (The Weed that Strings the Hangman’s Bag) have been on the bestseller lists in Canada, the US, Germany and Taiwan.

Monday, 10 January 2011

Cork Spring Literary Festival


If you find yourself in the People's Republic this February then get this is smashing festival.
Website here
16 - 19 February 2011 (Bolds are my personal suggestions.)

Wednesday, 16th February
Reception for the winner of the Gregory O’Donoghue Prize and launch of A Boat to
Heaven, a new Southword Editions title by Chinese poet Zhao Lihong.
Where: Douglas Vance Room, The Metropole Hotel.
When 7.15pm.

Tomas Lieske, William Wall & James Harpur – a reading
Where: Douglas Vance Room, The Metropole Hotel.
When 9pm.

Ian Wild, Alan Garvey & Pat Boran – a reading
Where: Douglas Vance Room, The Metropole Hotel.
When 7.15pm.

Silke Scheuermann, Kristiina Ehin & Gabriel Rosenstock
Where: Douglas Vance Room, The Metropole Hotel.
When 9pm.

Catherine Smith, Matthew Sweeney & Ailbhe Ní Ghearbhuigh – a reading
Where: Douglas Vance Room, The Metropole Hotel.
When 7.15pm.

Valérie Rouzeau, Lory Manrique-Hyland & Ian Duhig - a reading
Where: Douglas Vance Room, The Metropole Hotel.
When 9pm.

Catch the Moon
An ensemble reading: “Four women, Four Themes, Four Stories, Four Voices”.
Jane Clarke, Kathy D’Arcy, Shirley McClure, Tina Pisco.
During a performance each poet introduces one of the four themes, which vary depending on the venue, the audience and the season. Each poet then reads two poems linked to the theme, explaining a bit about each reading. This format is designed to keep the listeners’ interest and highlight differences as well as resonances between very different poems. The result is an intimate and entertaining exchange between the poets and the audience. Catch the Moon intends to continue to develop and grow so as to include other women poets and musicians as
well as projections in future events.
Where: Douglas Vance Room, The Metropole Hotel.
When 3.30 pm.
I think these ladies should get together with the Poetry Divas. Really. Email me.

Gerry Murphy, Dave Lordan & Julijana Velichkovska – a reading
Where: Douglas Vance Room, The Metropole Hotel.
When 7.15pm.

Maram al-Massri, Leanne O’Sullivan & Patrick Cotter – a reading
Where: Douglas Vance Room, The Metropole Hotel.
When: 9pm.

A suggested donation of €5 is requested for each of the evening events, but no one will be turned away for lack of funds and larger donations are also welcome.

Also Workshops
Haiku Master Class

A ginko or compositional stroll usually precedes Rosenstock’s haiku workshops.
Participants may bring along a maximum of 10 nature-centred haiku to be workshopped, 5-7-5 style or free form.

Gabriel Rosenstock is a member of several international haiku associations and is an associate founder of the Haiku Foundation. He is a frequent contributor to World Haiku Review. Cambridge Scholars Publishing brought out two major works by him on haiku as a way of life, Haiku Enlightenment and Haiku, the Gentle Art of Disappearing. These are available from Amazon. Participants in the workshop are expected to have read these books. (complimentary electronic copies will be made available to participants in advance) Rosenstock hopes that participants will have prepared questions, comments, queries about the contents of these two books.

Maximum places 8
Cost: €30 each

To reserve a workshop space please phone the Munster Literature Centre on
021-4312955 or email info@munsterlit.ie.

Website here

Sunday, 9 January 2011

Poetry Bus - Get on board

OK, the Poetry Bus is finally out of the garage. Bit of a problem with the old spark plugs if you know what I mean.

Original prompt here

I took on the beat poem, but it proved too big a task for the time I had. Here's the first part. (The lines are long but get folded over in the blog. Sorry.

Karl

In a posh restaurant, you know the type, contemporary sludge coloured velvet,
uncomfortable chairs, this before the chef ran off with the artwork
and the maitre D.
It’s a big deal work do, himself, the chief, me, the squaw.

Our friend Ted’s there - sound chap - with his wife at the table, square plates and round glasses.
And the honoured guest, some bigwig, loud, wide shoulders, bursting out of his pink shirt,
holding forth on the rising economy, the falling Yen, trade prospects and the corporate tax rate.
He slugs Rioja into the spherical glasses, shakes my hand, eyes gliding over me
as of no consequence, no threat. Karl’s his name, After Marx? I say
triggering a belly laugh and a slap on the back that would floor a gorilla.
Himself does that ‘be good’ look at me.
And I try.

But Karl’s not trying. He slurps soup and ticks boxes. Merc. Tick. Rolex. Tick. Race Horse. Tick.
Second wife, blonde, tick, with admirable assets. Tick, tick.
I rearrange mine and bite my lip.
We weave around the conversational sinkholes, as he moves on to his half a bloody cow,
masticating as if we all want to share the experience, his nose now as red as the replenished wine.
They’ve moved on to rugby and he’s in the corporate boxes every match,
It’s all about who you know, he says. Scratch my back, baby and maybe, who knows. Do you scratch?

My back is itching now but I’d rather, I say, watch wood warp than thirty brickhouse men
run around with a ball from a distance. He does that backslap again
and I cough up some peas across the table at Himself who does that look again and changes tack
back to stock on the rise and the price of houses.
He has real estate in Budapest, Leeds and the prices are through the roof
and the roof isn’t on yet but he’s sitting happy waiting to flip them
on some poor sod who wants to retire there.

The talk’s of leverage and the Euribor and bore is what he is.
My cheeks are aching with not yawning but I bury my grievances in more Berry Pavlova
and when he shoulders his way outside for a cigarette, I gripe to Himself and ignore his chides
which slide off me like cream on very hot tart.
We all order an Irish coffees and Karl sweeps back flashing a phone as cool as the night.

Have to keep Herself at bay – he says and click-clicks the apps
to zoom in on their flats on Google maps
and to track his stock on the Iseq and the unemployment rate and all manner of things
that I don’t want or need.
It’s time to shed all the deadwood – he says – send them back to Brazzaville and Riga
and I confess I have to Google Brazzaville (it’s The Congo) but it’s obvious it’s Africa
and he’s all for diversity as long as his waitress speaks English with no accent

Like no one from Cork? - I say – or Birmingham or Dundee?
- That’s different. My wife’s from Surrey – he says
– not her fault – I say - How about Sydney or Cape Town or Quebec or Tennessee?
- That’s fine – So where’s the line? Hong Kong or Singapore? Nairobi or Delhi?
I’m on a roll here and he’s all bluster. I exert all self-control I can muster
And shut up.

Add a comment with your own blog post and I'll add the links. Remember to drop by the other passengers' tickets.

  • First on board, somewhat earlier in the week was Kat. Thanks very much for helping with the spark plug issue, Kat. Couldn't have started without you. Kat took on a legend from primary school.
  • Then a surprised (by herself) Rachel. Also early so she took on the task of cleaning the backseat. Everyone's favourite job. It must be to do with the rubber gloves. Rachel's poem takes on critics. She's not bitter and she's NEVER boring.
  • Next on board. 120socks who swallowed or was swallowed by revenge on the critic. 120socks kindly looked at the sticky problem with the emergency exit. An absolute whizz with an adjustable wrench. There is mention of murmurings in the poem that reminded me I had a critic poem I'll post here.

Monaghan Mosquitoes

There are mosquitoes in Monaghan the size of bats,
but easier to kill
and leave a telltale splat that swamps the bed.
But where there’s one, there’s more,
their whines as heavy as the dentist’s drill.
They can suck the lifeblood out of a woman
in 8.2 seconds flat.

At night, they crouch on my pillow
and chase me through my dreams,
whispering homespun criticism.
All those words -
it’s not very good, is it?
We’ve read it and it’s rubbish;
there’s no spark, nothing special.
We’ve read it all. Why do you bother?
Give it up, give it up.

  • Next on board, Dave King here, who wasn't, then he was. He chose L'esprit d'escalier and comes on board pursued by (scary) bishop.
  • Bishop pursued now by Niamh at Various Cushions taking it out on a lady with famous friends (or maybe acquaintances). 
  • Welcome on board Dick at Patteran who is getting down and dirty with envelopes.
  • Leaping onto the bottom step is at Nuts4fruits who is Done with Mr Done.
  • Next is Helen at Poetry Matters who takes on Dumb and Mr Dumber.
  • Jeanne Iris boards at Revolutionary Revelry with a dreamy bluebird.
  • Triona at Domestic Oubliette jumps on board with a sad revenge poem.
  • Kipling leaps on board here kicking out
  • Welcome Conversing here on writing and waiting
  • Padhraig hops onboard up the stairs of wit with some fab vocab.
  • TFE leaps on muttering something about toads and bare feet here
  • Ann T hares along the road for a late ticket at Hathaway with her outspoken Gran in tow
  • Don't Feed The Pixies gets on. Exact change please. A triple ticket here
  • Titus scrambles through the rear doors when the driver's attention was on a crowd of penguins crossing the road. She's very fruity this ride. Offensive language in public is still a statutory offence in England and Wales but you're OK on this bus.
  • Another bus stop for Argent at Delusions of Adequacy toasting Miss Chapman, the late Miss Chapman
Any more passengers?
Enjoy the ride!

Saturday, 8 January 2011

London Theatre Project for Writers


Little Episodes and Circalit Launch London Theatre Project for Writers

Little Episodes, an organisation that promotes the arts as a therapeutic tool, has today announced the 2011 ‘Six Little Episodes’ scriptwriting competition. Six new scripts from emerging UK playwrights will be showcased in a London theatre during 2011. These performances will run for a week and the six produced finalists will be judged by a panel of industry experts.

The competition is hosted at Circalit, a social-networking site for writers, where the public can read submissions, write reviews, and vote for their favourites. The competition is free to enter and the six finalists will be chosen by Little Episodes.

The deadline for entries is 31st January 2011 and entrants must be based in the UK and Eire. For more information or to submit a script please visit http://www.circalit.com.

For more information on Little Episodes you can visit: http://www.littleepisodes.org.

Contact:
Robert Tucker
Director of Communications
www.circalit.com
rob@circalit.com

Friday, 7 January 2011

Wellcome Trust Arts Grants


Arts Awards support imaginative and experimental arts projects that investigate biomedical science.
The scheme aims to:
  • stimulate interest, excitement and debate about biomedical science through the arts
  • examine the social, cultural, and ethical impact of biomedical science
  • support formal and informal learning
  • encourage new ways of thinking
  • encourage high quality interdisciplinary practice and collaborative partnerships in arts, science and/or education practice.
All art forms are covered by the programme: dance, drama, performance arts, visual arts, music, film, craft, photography, creative writing or digital media. The Trust invites applications for projects which engage adult audiences and/or young people.

The scheme is open to a wide range of people including, among others, artists, scientists, curators, filmmakers, writers, producers, directors, academics, science communicators, teachers, arts workers and education officers.

Applicants must be based in the UK or the Republic of Ireland and the activity must take place in the UK or the Republic of Ireland.

Applicants are usually affiliated to organisations, but can apply as individuals.
Organisations might include: museums and other cultural attractions; arts agencies; production companies; arts venues; broadcast media; schools; local education authorities; universities and colleges; youth clubs; community groups; research institutes; the NHS; and science centres.

Partnership projects (between different people and organisations, e.g. scientists and ethicists, educators and artists) are welcomed.

For small to medium-sized projects (up to and including £30 000) upcoming deadlines are:
  • 28 January 2011
  • 28 April 2011
Decisions will be made approximately three months after the relevant deadline.
For large projects (above £30 000) the deadline for 2011 is 25 March 2011.