Showing posts with label poem. Show all posts
Showing posts with label poem. Show all posts

Monday, 24 April 2017

Creative Ardagh - the King at the Back of the Hill

Following on from the success of the Midir and Etain anthology two years ago, Creative Ardagh are delighted to be able to put a call out again for submissions. This year in association with Longford Arts Office and CruthĂș Arts Festival they are turning our attention to the King at the Back of the Hill:

‘We hope that we will once again receive art, writing (creative or factual, poetry or prose), photography and creative responses of all kinds to the story of King Maine. Submissions last time came from all over the world and from people aged 3 to 100 year old. We would love to have that diversity again.  We will also be announcing details of our new programme for schools based on the archaeology of the site in the next few weeks.The anthology will be launched on Bilberry Sunday 30th July in Ardagh Heritage and Creativity Centre. Submissions should reach us by 5th May.

Terms and Conditions:

We are accepting poetry and writing (fact or fiction) up to a maximum of 1500 words and artworks of any media. The only restriction is that it is your own original work.

You can enter from wherever you are in the world, by post or by email.

Artworks sent by post should not exceed A4 in size.

Please send all submissions to:

Creative Ardagh,
Ardagh Heritage and Creativity Centre,
Ardagh,
Co. Longford.

Email applications to: creativeardagh@gmail.com

Closing Date for applications: 5th May 2017

Monday, 23 November 2015

Hennessy New Irish Writing Award

How to Enter for The Hennessy New Irish Writing Award
All stories and poems published in Hennessy New Irish Writing will be eligible for the 2015 Hennessy Literary Awards.  The winner of each category will receive a Hennessy trophy and €1,500. A Hennessy New Irish Writer of the Year, chosen from the winners of the three categories, will receive an additional prize of €2,500 and a trophy.

Stories submitted to Hennessy New Irish Writing should not exceed 2,200 words. 
There is no entry fee. 
Writers whose work is selected for publication will receive €130 for fiction and €65 for poetry. 
You can email your entry to hennessynewirishwriting@irishtimes.com or post it (with a stamped addressed envelope) to Ciaran Carty, Hennessy New Irish Writing, The Irish Times, 24-28 Tara Street, Dublin 2. 

A story and poems are printed once a month in the Saturday Irish Times, a must read.

Sunday, 15 November 2015

Science Hack Day Dublin Haiku

Science Hack Day Dublin Haiku

Make art with sensors
with clocks, wires, threads, LEDS,
science and pancakes

I believe in time
its future uncertainties
I’m sorry Einstein

You’ll wear EEGs
when the brainwaves tumble down
I’ll pause – let you think

Packet data passed
phone to phone, not mast to mast
the more the stronger

Computers don’t think
they apply rules we gave them
who writes the boundaries

What’s in this photo
illustration, mask, disguise
people, humour, art

It’s been amazing
the clock is running slower -
see? My brain is fried


Wednesday, 19 November 2014

Submissions sought for Mslexia Magazine - Earth Songs


Mslexia, the fabulous magazine of writing by women is looking for submissions for the theme Earth Songs.

Issue 65 (Mar/Apr/May 2015):

Our planet is under threat. This is an opportunity to create its many intricate marvels - in fiction or poetry - or to mourn against their loss. 
Deadline: 9 December 2014
Mslexia welcomes previously unpublished submissions from women for every part of the magazine.New Writing is a substantial section of new poetry and/or prose in the magazine, written by published and unpublished authors, selected and introduced by our New Writing Guest Editor.

Submission details here

Thursday, 25 September 2014

Flaming for Leonard

Here I am reading my poem, Flaming for Leonard, especially written for the Leonard Cohen Celebration with the Poetry Divas at the start of August 2014 in the Liberty Hall Theatre in Dublin.
In September, it was broadcast on Danish National Radio as part of a documentary on Leonard Cohen.

Thursday, 11 September 2014

Master Class in Poetry- Bernard O'Donoghue

I would love to go to this retreat in Anam Cara but it is way out of my price range. Residential, full board.

Led by the poet Bernard O'Donoghue

A Week-long Residential Retreat
Arrival:  Saturday, 11 October 2014
Departure: Saturday, 18 October 2014

"I grew up in rural North Cork, in a place famous for traditional music and for poetry in Irish from the seventeenth and eighteenth centuries. These things led to deep-rooted interests in linguistic things, and especially literature, both written and oral. I went to school in Manchester (my mother's place of origin) when I was 16, and my obsessions from then on were Latin, English literature and music (including classical music at the Halle). I have lived in Oxford since 1965, and my main inspirations have been medieval literature: Chaucer and Dante and above all, the shorter poems in Old and Middle English. The Anglo-Saxon elegies are my model for the perfectly formed lyric poem." 


For many years, Bernard has spent time on and been inspired by the Beara Peninsula.  His Master Class will focus on using such places and time as subject matter and/or inspiration as he guides participating poets in enhancing their poetic gifts.    

It also includes tours of the area so perhaps it's aimed at poets from abroad.
Max 12 participants.

Wednesday, 12 March 2014

Skylight magazine is looking for submissions


Skylight is a Galway based publication that's well worth a look.

The closing date for submissions to the next edition is 1st April 2104 to skylightpoets47@gmail.com.

Link here 

The third edition of Skylight 47 - 'possibly Ireland's most interesting poetry publication' - was launched in Galway on 23rd January, featuring:

  • New poetry and artwork
  • An interview with Kay Ryan, former U.S. Poet Laureate and Winner of the Pulitzer Prize
  • Reviews of new poetry collections by:
                         Richard W. Halperin,
                         Susan Millar DuMars
                         Kimberly Campanello
  • A Masterclass with Drucilla Wall
  • Spotlight on the Donegal Garden Room Writers
  • Comment:  Poets for Sale by Kevin Higgins

Thursday, 20 February 2014

Wordlegs

I was invited to edit the poetry for this online magazine. Have a look at the selection here

I didn’t know to expect from a bunch of submissions to wordlegs when I was asked to select the poems for this issue by Elizabeth Reapy, who I nearly met once. I had read earlier issues and knew wordlegs was specifically and selflessly set up to showcase emerging talent from writers from or living in Ireland. But who would send in what exactly. I printed out the poems I received with all identification removed so the selection was done anonymously, which I feel is very important. Then I settled down to read through. I separated them to 3 piles Yes, No, Maybe. Then read again, waited, read again out loud until the pages had stopped jumping piles like kangaroos and settled down.

I was very happy with the standard, with the range of subject matter and impressed with the energy behind the words. First, some pointers for possible improvements for poems I passed over:
  • Great big blocks of text put me off. Consider cutting into stanzas
  • Inconsistent line endings and punctuation. If you’re going to break the flow, you need a good reason to do so
  • ClichĂ©s. Don’t go there.
  • General Over-The-Top-ness. Leave some room for the reader.
  • Don’t mangle your words just for a nice Rhyme.
  • Adjectives and adverbs, don’t overegg the pudding
  • And Beware of the So What? poem.
But what do I know? I have made all these mistakes myself. Each editor has their own taste and buttons to press and would no doubt choose a different selection. Here’s mine.

Some lovely images that stuck with me from poems from Daniel Ryan and from Michael McDonald, who made me want to dip a spoon into a coke float again. Then there was a delicious delight from Maeve O’Sullivan that will get everyone’s mouths watering. Phil Lynch’s brilliantly titled poem draws you in and James Conor Patterson’s mind takes flight when he should be filling in forms. There’s a yearning plea from Faye Boland, who I hope got everything she deserved and Sarah O’Connor too captures a delicate moment very well. Caleb Brennan carefully gets inside the head of two shy ghosts with a surgical eye for detail and somehow Bonny Tsang’s poem magically manages a different meaning and conclusion each time I read it. But the star of my bunch was Orla Fay whose three poems were tough to whittle down to one but I settled on a lusty sonnet that should delight all.
Enjoy!

Wednesday, 5 February 2014

Call for Submissions - Poetry on Fathers

An anthology from Fermoy in the Rebel County is looking for submissions.

Rebel Poetry is calling for submissions for their forthcoming anthology 'Fathers and what needs to be said'.  

A maximum of three poems will be accepted.
  • Poets may enter only once and cannot enter under a different name
  • Only Microsoft Word Docs will be accepted
  • Please try to keep poems to a single page 
  • All poems must be in English 
  • There is no charge for entries 
Email to rebelpoetryireland@gmail.com. Subject: ‘Father Anthology Submissions’

 Notifications of accepted poems will be emailed to the successful poets on Friday March 14th 2014


The book launch will be at the Grand Hotel in Fermoy and televised live via www.fermoypoetryfestival.com.  Fermoy International Poetry Festival will host the launch on Friday April 4th 2014.
 

 Deadline: 12.00 midday on Friday February 28th 2014

Tuesday, 3 December 2013

Reading in Maynooth Library

Maynooth Library opened first in 1983 and is having its 30th birthday this week. We are celebrating with a reading of some poems by me and also some stories and chat by the well known local writer, Martina Reilly.

Please come and join us for the evening this Thursday 5th December starting at 8pm, main street, Maynooth.

Refreshments promised too.

Tuesday, 27 August 2013

Poetry Divas at Electric Picnic

Fresh from their triumphant appearance at Babble Festival in Cavan, The Poetry Divas will be making a welcome return to Electric Picnic.

When: Sunday 1st September
What time: 1.30 pm or thereabouts.
Where : The Word Stage, Mindfield

What: Start your Sunday off with some poetry. You know you want to.

Mindfield is that part of Electric Picnic where you never know what to expect. There's spoken word and cabaret, theatre and parliament, Science Gallery and the Theatre of Food. Make sure your weekend includes a taste of Mindfield.

Our buddies at Brownbread mixtape have two shows at Electric Picnic this year. The Word stage in Mindfield. 4pm Saturday and 5pm Sunday.  Well worth a look-see.

Nighthawks are also there and their lineup is a great mix. 5pm Saturday and 6pm Sunday.

And our friends at Caca Milis Cabaret are oozing with deliciousness too.

The Science Gallery always have events to spark ideas including the ever-popular Ignite.

Here's the full Mindfield lineup

We can't fit all 35,000 in The Word tent on Sunday around 1.30 but let's see how we get on.

I saw this tweet
If you liked [KEVIN, DONT FORGET TO INSERT MOST POPULAR BOOK AT TIME OF PRINT], you'll love this!  

and it seemed like a great way to spread the word.
 
  • If you're not into yoga, if you have half a brain then you'll LOVE the Poetry Divas
  • If you like gin &tonic in a can/ Tiaras/ feather boas/ kick ass poems then you'll LOVE The Poetry Divas
  • If you like a good funeral/ a good firkle/ a drop of the good stuff then you'll LOVE The Poetry Divas
  • If you like bubbles/ lollipops/ goddesses then you'll LOVE The Poetry Divas
  • If you like Barbara Kingsolver/ Catherine O'Flynn/ JRR Tolkien then you'll LOVE The Poetry Divas
  • If you have ever suffered unrequited love/ changing room mirrors/ wine snobs then you'll LOVE the Poetry Divas
  • If you like summer holidays/ doomed expeditions/ texting when drunk you'll LOVE The Poetry Divas
  • If you like about redheaded men/ camping/ flying then you'll LOVE The Poetry Divas
  • If you like whiskey/ wine/ the Antarctic/ Princess Leia then you'll LOVE The Poetry Divas
  • If you have ever failed/ given up/ picniced/ had sore feet/ watched Star Wars then you'll LOVE The Poetry Divas
  • If you like pina colada and getting caught in the rain then you'll LOVE The Poetry Divas
  • If you have ever camped with teenagers/ flown with children/ walked home in high heels then you will LOVE The Poetry Divas
  • If you like potatoes/ mince/ wine/ swearing/ tiaras/ red headed men then you'll LOVE The Poetry Divas
  • If you like Catherine Jenkins/ Catherine Deneuve/ Cat Deeley/ Kate Moss/ Kate Winslet then you'll LOVE The Poetry Divas
  • If you like Kate Hudson/ Katniss Everdeen/ The Duchess of Cambridge/ Katie Taylor then you'll LOVE The Poetry Divas
  • If you like Katrina and The Waves/ hurricanes/ cats/ Catherine Zeta Jones then you'll LOVE the Poetry Divas
  • If you like Barbara Stanwyck/ Barbara Kingsolver/ Barbara Castle/ Barbarella/ Barbara Windsor, you'll LOVE the Poetry Divas
  • If you like Kate Tempest/ Cate Blanchett/ Kate Bush/ Katie Perry/ Katharine Hepburn, you'll LOVE the Poetry Divas

Tuesday, 20 August 2013

Poems of Place

There are a few events in Heritage Week that include some literary pieces.

Poems of Place from a Gifted Inheritance.

Friday 23rd August 7-10pm

Sonnets and Serenading at Castle Saunderson
Poems of Place from a Gifted Inheritance…historic talk, twilight walk and a celebration of our cultural heritage

Includes Poets heather Brett and Noel Monaghan.

Admissions free - All welcome.

Link here

Sunday, 9 June 2013

Guest Editor for Boyne Berries

I am excited to be guest editing the September edition of Boyne Berries, a Meath based magazine that has been running for a few years now. They publish poetry and short prose. Read the rules here and adhere to them like superglue. Line count, word count, format, brief bio.

Send in early, please. I don't want to read them all in one go. It's anonymous so no favoritism! Bribes though are willingly accepted and will do no good at all at all, so they won't. Do me a favour though and if you think I will recognise your pieces for whatever reason, choose something else so I don't have a moral dilemma!

No payment, only glory. But what glory!
Come to the launch in Trim and read your piece.

I googled around and here are some pointers:
  • Fresh, powerful and polished - from Thereviewreview
  • I want to hear the resonance. If I really love a poem, I read it aloud - from shinejournal
  • If I couldn't find a strong image, or a clear sense of emotion, or connection between stanzas, it was easier for me to set the poem aside. Also from Shinejournal.
  • It is necessary to spell your poetry correctly. Scrap the cliches. Don't just chop up prose - from Nick Laird
  • Is it a So What poem? Excel here 
  • Some more pointers from Don Paterson here. Well worth a read
Here are some of the things I hope to find:
  • I'd like some poems in form please, sonnets, pantoums, ghazals, rhubaiyats etc. Give it a try.
  • I like pieces that make me see something in a new light. 
  • Pieces I haven't read before umpteen times.
  • Pieces that are multi-layered and take time to unwind.
  • Having said that, I don't have much time for writing that is so so obtuse, so obscure, it makes me feel frustrated or plain thick. It shouldn't take a machete to get to the point.
  • Pieces that love language, love words, make me fall in love with new words
  • Show me something new, show me the feeling, let me picture the image. 
  • Leave some gaps for me to fill in myself.
  • Pieces that are honest
  • Pieces that are sly
  • Pieces that catch me out, make me laugh out loud
  • Pieces that leave me gulping
  • Pieces with a subtle turn
  • Pieces that come at me from left field
  • Science pieces. Love Science. And Maths
  • Pieces that take risks
Submissions are open during the period 1 June - 13 July 2013.

Friday, 7 June 2013

Peace Camp Poem on display

Peace Camp was a series of installations that took place last summer in some of the most beautiful coastal locations around the UK including the North Antrim coast and Mussenden Temple in Coleraine.

Glowing lights, designed to be visited at dusk and dawn, were accompanied by the nation's favourite love poems, read out loud by a wide range of people from across the country.

They asked for contributions to their website and created an online anthology of love poetry. The British Library are archiving the website, including all contributions, for posterity. It inspired hundreds of poems and photographic images. Tens of thousands of people visited the project website; to view and share images from the live event around the country, to read and listen to poems and contributions, and nominate poems for the anthology.

The project was inspired by the Olympic Truce and organised by the Artichoke Trust.

I am delighted that my poem, Let's Go Driving, is to be included and is one of only twelve to be on display at the Poetry Cafe in London along with some amazing photos.

You can see the early version here

Get down and have a look if you possibly can.

10 June -13 July


The Poetry Cafe
22 Betterton St, 
London 
WC2H 9BX
 
11am-11pm Monday to Friday

6.30pm-11pm Saturday 

See website for more details here

Sunday, 5 May 2013

Links to some of my work available online

Poems
Saturday Woman Poet on Poethead blog has two of my poems here
Amsterdam Otto Recommend poem that won the Plough Prize reading here
Californian Fruit in Burning Bush online magazine here
The Happiest Sock and other poems are in this video from Ignite
Drinking Now poem read at The Festival of The Fires here
Reaching Agreement poem read on YouTube here
Reading some Science Poems at Ignite here
Those Days are Nothing Now on Barehands online magazine here
While It Lasted on writing.ie here 
Two poems on And Other Poems here
What to Think About Instead at ofipress here
By Strawberry Beds from Poetry Bus 3 on Soundcloud here 
Painted Yellow Line from Poetry Bus 2 on Soundcloud here
Slow Poison is in Crannog 10 here-  Update: Actually this pdf doesn't get as far as my poem so you'll have to buy the book!
Developing Shadows is in Abridged 17 here
Appropriate Gift is in Abridged 23 here

Short Story
Saturday's Kiss on This Reading Life blog here

Non Fiction
Berlin Wall from RTE Radio Sunday Miscellany here

Friday, 19 April 2013

New Poetry Divas Pamphlet

Breaking News!

The fabulous Poetry Divas are working on a brand new poetry pamphlet. It will follow in the footsteps of

(do pamphlets step? do pamphlets have feet?)

  • Poetry Divas 1 (The Pink One)
  • Poetry Divas 2 (The Blue One)
  • Poetry Divas 3 (The Green One)

We are going to name this one, imaginatively,

Poetry Divas 4 

and this one's colour will be purple. Oh yes!

It will feature some favourites and some new poems from regulars and will be available from Saturday 27th April when we will be reading at the Dundalk Book Festival.

Taking pre orders now if you can't make it to Dundalk.



Poetry Divas inc P&P

Tuesday, 8 January 2013

The Poetry Project

A rather huge name for this project...set up for The Gathering, another huge name.
Guess who's not in it? Me. I wonder if there are any immigrant voices represented in this insight into contemporary Ireland?

Worth signing up for anyway.

(Forgive the high falutin' language. It reads as if it were written for the American market.)


To celebrate Ireland’s Presidency of the European Union, this exciting digital post can be sent to you until July 2013. Twenty-six poems and twenty–six video shorts will offer you a unique insight into the creativity of contemporary Ireland.

Ireland’s poets are famed around the world, and our contemporary artists are renowned for their creativity and vision. Each poem is a taste of the best of Irish poetry now, while the short videos (none are longer than three minutes) offer a parallel way of looking at things. Brought together, the results will intrigue you, move you, and maybe make you look at the world in a different way.

The Poetry Project was set up by the Kinsale Arts Festival in partnership with Poetry Ireland and the Royal Hibernian Academy. The poems were selected by Gerard Smyth, Poetry Editor of The Irish Times and Joseph Woods, Director of Poetry Ireland; and the video works were selected and commissioned by Gemma Tipton, from the Kinsale Arts Festival and Patrick T Murphy, Director of the Royal Hibernian Academy.


The entire project will be shown together in a unique premiere event at the Kinsale Arts Festival July 5th to 14th 2013

The Poetry Project has been supported by Culture Ireland


Sign up to receive your free poems and videos at

www.thepoetryproject.ie

Monday, 10 December 2012

IPYPIASM

Yes, it's that time of year again. And again I am a little late starting. Time is creeping on. Others are well on in their plans. Others have planned already and prepared. And as the lesser of the two instigators, I am honor bound to paticipate. But never fear, I am up to the task.

It's International Put Your Poem In A Shop Month.

(And Ireland are falling behind!)

Come on peeps. Write it, Put It, Photo it and Post it.

This year Titus has graciously volunteered to host. See here for a much better description about it.

So here's mine.
I was in London at the weekend and I was struck how friendly people were. Friendlier than I was used to. I'm wondering if it is the Olympics spirit that has kept on. When I was in Trafalgar Square, there was a lovely carol concert for the volunteers.

Since the Olympics

Now's the time for festive cheer
but London's friendly all the year
since last July it's our good luck
the volunteer spirit stuck.

I wrote it on a napkin from Pret a Manger and left it in said establishment in London City Airport.

So I don't know where Titus wants to count it!
I'm English.
I left it in England
I was going to Ireland.
I blog in Ireland.

 Decisions.

Friday, 21 September 2012

Poetry Meets Science

The physicist, Paul Dirac, certainly had a low opinion of poetry (and perhaps poets too). He said something like:

“ In science you want to say something that nobody knew before, in words which everyone can understand. In poetry you are bound to say something that everybody knows already, in words that nobody can understand.”


Now, at the risk of dissing  a Nobel prize winner,  in the Science Gallery, to boot, I don’t completely agree. Experiments with structure and with form  such as rhyme and rhythm play an important part in poetry, just as experiments  do in science,

Watch the rest of my talk at Ignite at Electric Picnic here
(Please ignore the festival hair and general dishevelment)

Tuesday, 10 July 2012

The Chattahoochee Review

The Chattahoochee Review is seeking poetry, fiction, and nonfiction for a special focus issue on Irish Literature to be published in late 2012. 

TCR welcomes submissions of poetry, fiction, flash fiction, drama, and nonfiction—work reflective of a complex and contemporary Ireland—with preference given to poetry that makes careful use of voice and theme, fiction with an imaginative focus on character, and nonfiction that transcends the strictly personal. Both established and new voices encouraged. Writers outside of the U.S. may e-mail submissions to gpccr@gpc.edu, noting the submission's genre and the Irish Lit issue in the subject box. 

All submissions should state the author's name, address, and email on the manuscript and should be accompanied by a short biographical statement. Submissions will be accepted until October 1, 2012, or until issue is filled. We are also considering regular submissions; see below.


Familiarity with our journal is the best way to know whether or not work is right for us. We strongly encourage buying a sample copy or subscribing; the first issue under new editorship is now available for $4 in PDF. Please buy and read it from your inbox before submitting.
Our newly-streamlined response time averages two to three months, longer only in special circumstances. We read year-round.
Send only your very best work with our assurance it will be given every consideration.


FICTION
TCR publishes high quality literary fiction characterized by interest in language, development of distinctive settings, compelling conflict, and complex, unique characters. Please read a sample copy. Fiction should be double-spaced with numbered pages and one-inch margins. Submit only one story or up to three short-shorts (500-1,000 words each) per envelope. We consider longer stories of up to 6,000 words and novellas.

POETRY
TCR publishes excellent poetry of all types, including informal personal narratives, prose poems, and formal poems. We consider English translations of poetry from other languages, in which case a brief biography of the poet and translator should be included. Poetry should be single-spaced and include three to five poems per submission.

NONFICTION
TCR publishes distinctive topical essays and personal creative nonfiction of any kind; this includes pieces that might fit into the memoir, travel, and historical nonfiction categories. We are not an academic journal and publish for a general readership. Above all, we are interested in publishing nonfiction that surprises and intrigues us.

INTERVIEWS
TCR publishes interviews with writers of all kinds: literary, academic, journalistic, and popular. Recent interviews have featured Tony Grooms, Wells Tower, Larry Brown, Claude Wilkinson, Ferreira Gullar, and Kunal Basu. Please query us (by snail mail) with a proposal for a particular interview.

REVIEWS AND REVIEW ESSAYS
TCR publishes reviews of current fiction, poetry, and nonfiction books, especially those from writers with an innovative approach to subject matter. Several related works may be reviewed at more length in a review essay that engages critical issues not appropriate to a single review. We are always in search of new reviewers. Please query us (by snail mail) about the possibility of a particular review or review essay, specifying your credentials for the review.

VISUAL ART
TCR accepts visual art submissions, photography included, by invitation only.

PAYMENT

We typically pay $50/poem and $25/page for prose. Payment for reviews, interviews, plays, and art is determined on an individual basis. All contributors receive two copies.


Link here