Wednesday, 30 March 2011

Poetry Now Festival Sunday


I heard that Grace Wells won the Strong prize for her first collection When God Has Been Called Away to Greater Things published by Dedalus. Many congratulations and, again, a strong shortlist.

I went to 4 o’clock reading. Actually I was late, not through any fault of my own for once. The traffic on the blue sky afternoon in Dun Laoghaire was completely snarled up and the car park full with a big queue so I had to park miles away and jog in late, to a back seat.

First Nuala Ni Dhomhnaill who did some of her mermaid poems, which I’m not a huge fan of. I know they’re metaphors for our time and all that but they don’t work for me. I preferred her other poems but, not having more than a few words of Irish, the breaks when she read them in Irish broke it up too much for me.

Then Don Paterson, probably the highlight of the festival for me. A witty Scot with cleve, thoughtful poems, some from his award winning collection Rain and some new ones. One inspired by Battlestar Galactica. Great stuff.

The festival ended with heatfelt thanks from the stage by Belinda McKeon as her curatorship came to a natural end. I hope Poetry Now, in its new blended home at the Mountains to the Sea festival, doesn’t lose its identity. The visiting poets both home and international have been exceptional but what makes the festival in my opinion, is the audience of poets and poetry lovers.

Tuesday, 29 March 2011

More on Poetry Now - Saturday


Saturday 2pm Irish Times Award for a collection in the Gallery, started late as Seamus was stuck in traffic, Traffic is a feature of Dun Laoghaire, clogged streets and little parking. There were lots of poets in the room, a scary number actually when you consider these are the competition, all submitting to the same small number of magazines and awards. Seamus Heaney won for Human Chain. There was a lovely talk from Brian Lynch, one of the judges, saying it was hard to choose. The collections were all landmarks in the poets’ development but Seamus always came out of the discussions like a man emerging from smoke, walking steadily. Seamus was gracious in accepting and read one of the poems he wrote for a grandchild.

3pm was the Poems for Our Ireland, supposed to be poets and other personalities reading poems that spoke to the current state of the country and where to go from here. Some veered away from the topic, I think. A mixed bag introduced by Vincent Woods, in alphabetical order, starting with

Dermot Bolger who read his powerful poem, Neilstown Matadors which I’ve heard many times now but you still pick up new things.

Michael Cronin who asked why the pyromaniacs had become the firefighters. He read a poem called Campo di Fiori by Czeslaw Milosz.

Nuala Ni Dhomhnaill read her short poem called The Language Issue in Irish and in English saying that things end, things change, Ireland is still Ireland or something like that. Probably the most hopeful poem of the set.

Borbala Farago, a Hungarian poet, read a poem by Anne Le Marquand Hartigan called The Art of Letting Things Go. About the tree letting its leaves go. And some.

Diarmaid Ferriter, the historian read a Kavanagh poems 1954 and Canal Bank Walk.

Alice Lee director of Trust Ireland talked about the street poet Tony Gill and then read a poem by the priest/poet Brian Power called A Sociologist Looks Back.

Then an inspired guest, Jinx Lennon played Nothing But a Leprechaun on guitar.

Dave Lordan followed with A Song for the Minister of Education.

Brian Lynch read his poem A Distant View of the Irish Disaster.

Sinead Morrissey read a poem by Alice Oswald called Various Portents

Senator David Norris only mentioned his run for the presidency once, talked about Shelley (was it?) saying that poets were the unacknowledged legislators of mankind and that the fifth province in Ireland is the Arts and then read Easter 1916 by Yeats.

Miriam O’Callaghan, the broadcaster said that it was all about life and love and death read a poem written about the death of her sister by Frank McGuinness called A Woman Untouched.

Leanne O’Sullivan
, one of the judges of the Irish Times Award, read her moving, new poem Safe House about a story in Scarriff, Co Clare.

Gerard Smyth, the managing Edtor of the Irish Times and poet talked about the 50th anniversary of the 1916 uprising and read "South of the Border"

Joseph Woods read Old Country Awakening.

Then Jinx Lennon came back with another piece called The Sumo Option is Good for Business with his megaphone. Close to the bone this one.

Vincent Woods read a poem by Mary Oliver called The Uses of Sorrow. (I think. Any mistakes here my own, memory and handwriting)

I wonder is it best on these sort of occasions to read your own poem or someone else’s?

6:30 was Dave Lordan who read from his 2 collections The Boy in The Ring (including the title poem which I’m fond of) and Invitation to a Sacrifice. He’s so good at memorising and performing them.

Then Fiona Sampson, a eloquent and precise reading; she has a beautiful way with words and rhythm, which is what it’s all about I guess.

Then Bloodaxe poet Jaan Kaplinski from Estonia. He hasn’t been writing recently and started with a poem that was a minute’s silence. A bit silly if you ask me. He is of the opinion that there are not only too many poems already but too many poets. Probably true. Too much competition out there. Is there anything new to say. Jaan was videoed by a guy in front of me who I realised later was Neil Astley. Wish I’d asked him to consider my collection. I’d love to be a Bloodaxe poet. Bloodaxe are working hard to build a library of their poets reading, some of which you can see on Youtube. Well worth a nose around.

My head was so full of poetry, I didn’t want to dilute it and didn’t stay for Sinead Morrissey and Gerald Stern.

Spring events at the Seamus Heaney Centre, QU Belfast


On Journalism and the Economy
Thursday, 31 March 2011 at 2pm
In the second of a series of conversations on journalism, BBC Writer in Residence at Queen's, Malachi O'Doherty, meets the BBC's award-winning Business Editor Robert Peston to discuss reporting business and economics.
Robert has published a series of exclusive stories about the global financial crisis. Before joining the BBC in February 2006, he was a print journalist for more than 20 years for the Financial Times, Sunday Telegraph and Independent. He has also published two critically acclaimed books, Who Runs Britain? and Brown's Britain.
Tickets to this event are expected to be in high demand and must be booked in advance. Tickets will be allocated on a first come first served basis.

Thursday, 31 March at 8 p.m. in the Great Hall, Queen’s University Belfast
Michael Longley is one of the most celebrated poets in the language, the recipient of numerous awards, including the Whitbread Poetry Award, the T.S. Eliot Prize, and the Queen’s Gold Medal for poetry. He was the recent holder of the Ireland Chair of Poetry. His new collection A Hundred Doors (Jonathan Cape) is published on 17th March.

Lunchbox Reading: Boyle and Wilkinson
Friday, 1 April @1.00: Seamus Heaney Centre Seminar Room.
Maureen Boyle (poet) and Sheena Wilkinson (novelist)

Lunchbox Reading: Cummings, Mac Lochlainn and Clerkin
Friday, 13 May @ 1.00: Seamus Heaney Centre Seminar Room
3 Irish-language poets: Philip Cummings, GearĂ³id MacLochlainn and CatrĂ­ona Clerkin.

Creative Writing M.A. Reading
Thursday, 19 May at 8 p.m. in Lecture Theatre G9, Lanyon North, Queen’s University Belfast
Students of the M.A. Creative Writing programme present selections of their work.

Monday, 28 March 2011

Irish women writers gather at Easons


Celebrating Irish women fiction writers is the theme of a public event.

Where: Eason bookstore on O’Connell Street in Dublin
When: Thursday 31st March at 7.30pm.

Headlined by Patricia Scanlan, whose book Love and Marriage is just out from Transworld Ireland, the roll-call for the evening includes Cecelia Ahern, Sheila O’Flanagan, Claudia Carroll, Melissa Hill, Monica McInerney, Niamh O’Connor, Sarah Webb, Alex Barclay, Kate Thompson, Claire Dowling, Liz Lyons, Marita Conlon-McKenna, Ciara Geraghty, Catherine Dunne and Alison Walsh.

The event is free, but, with space for only 150 people, tickets must be booked in advance on 01-8583800.

Sunday, 27 March 2011

Poetry Now Festival Saturday

Saturday at the festival started with a workshop lead by Fiona Sampson, a fine poet and editor of Poetry Review. The workshop was crammed to the gunnels with talented poets and it was good to meet them. But what competition! And all creeping up on the first collection milestone. Fiona went through a poem from each poet (would have been easier with copies) A couple of gems I wrote down and paraphrase.
At the beginning you have to beguile your reader who is not totally on your wavelength.
You shouldn't have to read a poem twice to let it say what it wants to say
Beware of stapling the poem to the page with punctuation

She was full of praise for the poems but what I should have asked her whether she would take some for Poetry Review if we all submitted. I may do so anyway...

And Seamus Heaney won the Irish Times award for his collection Human Chain. A terrifically strong shortlist and some kind words. He was very humble and gracious in accepting.

More later as I'm hurrying back to see Don Paterson read now.

Seamus Heaney Centre, Poetry Summer School 2011

If you've a week to spare at the end of June, this would be very good.

A Week of Creative Practice
Monday 27 June - Friday 1 July 2011
Seamus Heaney Centre for Poetry, Queen's University Belfast

Sessions by
Leontia Flynn
Ciaran Carson
Sinead Morrissey
Medbh McGuckian

Applicants should submit by email no less than three and no more than six poems to Caroline Crothers by 18 April 2011

There are limited places available and those who are successful will be notified by 2 May 2011. 

Contact: Caroline Crothers, caroline.crothers@qub.ac.uk about application procedures and costs.

Not sure why they're not advertising the costs online though...

Saturday, 26 March 2011

Poetry Now Festival



The Canadian poet, Ann Carson gave the keynote address at the Poetry Now Festival on Thursday night. She was the first woman poet to win the TS Eliot prize. The theatre was packed to the rafters but only the gentle waft of disco drum and bass was to be heard over her address. She was introduced by Belinda McKeon, the festival curator, and came on to warm applause.

Her long discourse started with untranslatable words used in Homer’s work when talking about things that come from the Gods. With a made up word, the reader has to pause. And that’s good for the Gods. At least I think that’s what she said. She also told us that Cliche is an onomatopoeiaic word, being the sound the printer's stereotype made when hitting the paper. A over-frequently used phrase having it's own stereotype made up.

She moved on to Joan of Arc who refused to define the ‘voices’ that told her how to live her life, and death. She was illiterate so her words were spoken in Middle French and translated into court, legalise Latin. But she mangled her meaning when she did not want the meaning to be cut and dried to the judges’ understanding of contemporary angels and various visitations. At least I think that’s what she said.

Moving swiftly on to Francis Bacon, she said that he wanted to paint a scream. Not a person screaming per se but a sensation of a scream. She made particular reference to his picture of a version of a Velasquez picture of a Pope Innocent X

Then onto some German dude who translated Homer into German but turned his untranslatable words into words that were more sensation than sense. And they locked him up. He wanted to rip the lids off words and plunge his arms in. See PJ Nolan's blog for more on this.

Loads of ideas fired one after the other late at night was hard to keep up for this member of the MTV generation. My mind would wander off following one thought and when I came back, she'd moved on. Worth going though.

Belinda also made the, not unexpected, announcement that the Poetry Now festival as a standalone festival is no more. From 2012, it will be incorporated into the Mountains and Sea literary festival which happens in September. With its own curator, it hopes to introduce poetry to more than just the regular die hards. 
 
Loads more happening this weekend. See the programme here. See you there! 

There's a very good write up here