Wednesday, 30 November 2011

Powers Stories

A call came out for short stories that included references to Power's Whiskey. The resultant book is now available. All proceeds are in aid of The Hospice Foundation so make sure you buy a copy.

Guest blog from Nollaig Rowan who's story is in the book.

MEETING MAEVE BINCHY
Earlier this month I met Maeve Binchy, queen of storytelling, for the first time. But it was not the first time that her words have encouraged and inspired me to keep going at this thing we call “writing”. On a previous occasion, Maeve had written the foreword to an anthology which featured one of my stories. The foreword was as congratulatory as if we had all been included on the Booker longlist.
This time I met Maeve, along with thirty-nine other writers whose short stories were published in aid of The Hospice Foundation. The competition was a neat little idea run by Power’s Irish whiskey which required writers to tell a story about “what truly matters” while of course including the words Powers whiskey. The launch was in Dalkey, Maeve’s home village, in a pub and yes, you’ve guessed, there was plenty of whiskey. Maeve was regal in her demeanour and generous in her praise of our small efforts, calling us all “published writers” on the strength of our 500-word stories. She said
“Success is not like a cake; it doesn’t mean that if you have more success that there’s less left for me. We can all be successful.” 
Encouraging words from the grand dame herself.

Here is Nollaig's story.


                               THE  USUAL                    by  Nollaig Rowan                    
 I balanced a plastic bag of notes on the carrier while I unlocked my bike. Rain splashed on the back of my neck, trickling inside my cardigan. Torrential showers in May! All I wanted was to be home and warm and away from Trinity Library where I’d spent too many hours in the past four years. The wind whipped up and my bag tumbled, sheets scattering to the corners of Front Square. Disgruntled but sympathetic fellow students returned them to me and skulked away.
“Damn ... where’re the French notes?” I said to no one in particular.
“What’s that Niamh?” said a familiar voice. I looked up. He handed me a clutch of soggy pages.
“Shane!” 
I didn’t need this. Not now, not in the middle of my Finals. I hadn’t seen Shane since we split up, over a year ago, when he went to Berlin.
“You look frozen. Com’on and I’ll buy you ...” he said.
“No, I have to ...”
“Just one. In The Pav.”
“The usual” Shane said to the barman who knew us.
“Not for me... I have to study. Get me a water ... ” I said, testily, though Shane was always good at knowing what I really wanted. He placed two Powers in front of us and a sparkling water on the side.
“So?” he said relaxing. “Long time, eh?”
I didn’t want this conversation. I had moved on. He took a long slow sip of the whiskey and unwillingly I caught its warm aroma on his breath, despite the respectable distance between us.
“So?” he said again.
“So, you’re back” I said. “I’m at exams and ...” The word ‘exams’ always made me nervous. I picked up the whiskey and swirled it around in the glass before allowing the taste to explode in my mouth. I had felt nothing like this since ... well, since before Shane went away. He moved closer. We drank silently, reflectively.
“When’s your last exam?” he said.
“Tuesday.  Finishes at six.”
Unlocking my bike in Front Square on Tuesday evening, I felt a hand on my shoulder.
“How’d it go?” Shane said.
“Not too bad... Good, in fact! Yeah” I said, feeling light and frivolous. I expected him to suggest “the usual” in The Pav. Instead he leaned towards me, his light stubble brushing against my cheek and whispered “I want to give you a baby.”
I lurched away from him, dropping my bike on the cobblestones and tripping over my satchel. Passing students stared at me and frowned at him. He bent to help me.
“A Baby Powers,” he laughed taking two miniature bottles from his denim jacket. “Let’s sit on the grass. Isn’t it great you’re finished and have your exams behind you?”

From “Celebrating What Truly Matters” an anthology of short stories. Editied by Patsey Murphy, Irish Times. Published by Irish Distillers Pernod Ricard. 2011.  €9.99 in aid of The Irish Hospice Foundation. Available in Easons.

Tuesday, 29 November 2011

Poets to Check Out - Nikky Finney


Nikky Finney reads "Left" She recently won the National Book award for her new collection

Sunday, 27 November 2011

Dinky Poetry Book Launch in Dublin

Come to my Dublin launch of this year's most sought after fashion accessory.

My Dinky Poetry Book, Some Poems from moth editions

Wednesday 30th November 2011, 6:30pm
The lovely Winding Stair bookshop (on the quays near Ha'penny bridge)
Ted McCarthy from Monaghan, one of the other 3 poets will also be reading from his book.
All welcome.

This is what your handbag needs

or your mother/sister/friend/cousin/aunt/boss/teacher
Your laptop bag needs this
and your jeans' pocket needs this
someone's jacket pocket needs this
And did I mention? Only 4 Euro. The ideal stocking filler

How to publish women writers

An interesting blogpost here with suggestions on how to ensure women are better represented in publishing. As in being published (and reviewed)
women are not published nearly as much as men in most venues in the literary world
The usual excuses are:
  • what we publish is representational of the submissions. Apparently about 75% of the slushpiles are usually from men though I would imagine each slushpile varies greatly.
  • women's submissions are less likely to meet our standards
  • we do publish women (but not very loudly)
  • we consider sexist allusions to be witty and acceptable.
The blogger, Annie Fisch suggestions include:
  • Actively solicit contributions from women. i.e. invite them specifically to submit (Call me, email me, tweet me)
  • Educate yourself on what women like to read and write (OK not so sure about that one as not every women has the same boxes to tick)
  • Read with double awareness (if the writer you are reading is of a different gender, race, class, background, country be self aware of your responses) That's a good suggestion. But I would hope that they are doing it already or am I deluded? 
The writer then goes out to suggest that some women write about small, trivial subjects. That's in the eye of the beholder though.Then she suggests the editors should ask themselves if they publish writing that reads like women's writing. And I'm not talking about childbirth, menstruation and shopping.
  • Next the exercise for the blushing editor is to put on a rampant, angry feminist hat (I have a few in my wardrobe you can borrow if you like) and read through stuff you've published. Look at the featured artists, the cover names, the reviewees. Are you mollified or are you an angry moll?

  • Here are the stats. Quite shocking really. I wonder what it would look like in Irish publications. 
Here's an interesting (actually worringly, off putting) piece about women's writing.

Saturday, 26 November 2011

A Creative Writing workshop with Dave Lordan

Kickstart your imagination with Dave Lordan in Hotspot Cafe, Greystones
Friday Dec 2nd. 7.30 to 9pm

10 euro, including admission to the fabulous Speakeasy Cabaret later on that evening.

Where do stories and creative ideas come from?
How can we make creative use of our own vast store of stories and experiences?
How can we jump-start our imaginations when we just aren't feeling up to it?
How do we draw inspiration from our every day lives?
How do we make time in our busy lives for inspiration and creativity?

All are welcome to take part in this fun, informative and stimulating workshop with Dave Lordan. 
Booking is advised. To book a place phone Dave on 087 0921117, or email

Dave Lordan is a multi-award winning poet, playwright and fiction writer as well as a popular reviewer on RTE Radio 1's flagship Arena Arts show. He is the current holder of the prestigious Ireland Chair of Poetry Bursary Award. He is also once of Ireland's leading creative writing teachers and currently teaches on the MA in Poetry Studies in Mater Dei Institute and for Co Wicklow VEC, 
as well as to numerous school and community groups.

Read more about Dave at his website

Friday, 25 November 2011

The Nobel Prize for Literature Balance

Or lack of balance. There's a surprise.

Of the 107 laureates since 1901, only 12 have been women. They are getting slightly closer together than earlier years but there's not a lot of equality there.

Who are they?

Romanian living in Germany
Prize motivation: "who, with the concentration of poetry and the frankness of prose, depicts the landscape of the dispossessed"
 2007
Doris Lessing
Born in Persia, living in England.
Prize motivation: "that epicist of the female experience, who with scepticism, fire and visionary power has subjected a divided civilisation to scrutiny"
2004
  Austrian
 Prize motivation: "for her musical flow of voices and counter-voices in novels and plays that with extraordinary linguistic zeal reveal the absurdity of society's clichés and their subjugating power"
Polish
Prize motivation: "for poetry that with ironic precision allows the historical and biological context to come to light in fragments of human reality"
America
Prize motivation: "who in novels characterized by visionary force and poetic import, gives life to an essential aspect of American reality"
South African
Prize motivation: "who through her magnificent epic writing has - in the words of Alfred Nobel - been of very great benefit to humanity"
Born in Germany, lived in Sweden
Prize motivation: "for her outstanding lyrical and dramatic writing, which interprets Israel's destiny with touching strength" 
Chilean
Prize motivation: "for her lyric poetry which, inspired by powerful emotions, has made her name a symbol of the idealistic aspirations of the entire Latin American world"
1938
Pearl Buck
American
Prize motivation: "for her rich and truly epic descriptions of peasant life in China and for her biographical masterpieces"
Born in Denmark, lived in Norway
Prize motivation: "principially for her powerful descriptions of Northern life during the Middle Ages"
Italian (Sardinian)
Prize motivation: "for her idealistically inspired writings which with plastic clarity picture the life on her native island and with depth and sympathy deal with human problems in general"
1909
Selma Lagerlöf
Swedish
Prize motivation: "in appreciation of the lofty idealism, vivid imagination and spiritual perception that characterize her writings" 

Thursday, 24 November 2011

Soundings for Simon


Soundings for Simon 
Where: Badass Café, Temple Bar, Dublin

When: Monday, November 28th at 7pm. 
An evening of poetry old and new, with readings from Paula Meehan, Iggy McGovern, Maggie O'Dwyer, Tom Conaty and Louise C. Callaghan
Admission is €12 which includes drinks and finger food. 
All proceeds will go to the Dublin Simon Community.