Hi Shirley and welcome to emergingwriter. I enjoyed the launch recently of your new poetry collection, Stone Dress and I devoured
the book on the way home.
First question. How
did you first get into poetry?
The poems I wrote as a child bear a strong metrical resemblance
to the hymns we sang in St Patrick's Presbyterian church in Waterford. I think
that was my most likely influence, although we did read, and hear poetry read
aloud at home. My mother was a primary school teacher and made sure we read more
than Enid Blyton. In return I gave her carefully bound editions of 'My Poems'.
This is beginning to remind me of Billy Collins' 'The Lanyard'...
Billy Collins - The Lanyard.
Does the
carefully bound edition of “My Poems” still survive?
Probably,
I shall look.
Would you
want to go back and read your childhood poems? Have you? I’m not sure I would.
In my memory they are brilliant, but probably with my world weary eye now they
would appear less shiny.
I found my old poems!
But I am more amused by these than anything.
Did you continue writing through adolescence and on to early
adulthood? How did school affect that?
I continued writing whilst at school, devoured the poetry
sections of English text books and wrote for the school magazine. Teachers
encouraged my writing. A couple of friends tried putting my poems to music,
strumming away on their guitars on summer afternoons by the school pond.
(Winter afternoons on their dorm beds?) Leslie Dowdall came to our school in
fifth year, and did me the honour of singing one of my poem/songs at a school
concert. (Already we could see she was good).
In college I did English & Spanish, read a lot and still
wrote a bit, but it all kind of fizzled out as the years went by, with a kind
of small revival when I got to forty.
Do you remember your first published poem as an adult?
Getting published is always a thrill! Although one of my poems
appeared in our college magazine, Icarus
(1982), and a translation of mine from Spanish to English showed up in Poetry Ireland Review, I think I was
most excited when in 1992, after a long 'sleep', one of my poems was selected
to appear in Women's Work, an
anthology of poems brought out by a Wexford-based community arts group. We were
invited to read our poems, and my partner and I went to Wexford for the night.
There I tasted the thrill of reading 'live', a pleasure I rediscovered fifteen
years later after another long pause in my writing career. I remember the night
so well, and the excitement of meeting other women who wrote. It makes me
wonder why I stopped writing, or why I wrote so little really between the ages
of 20 and 40. I suppose I was doing other things. Once I got into writing
proper, I discovered the equally strong emotion of disappointment each time
poems were rejected. Not funny.
So
there’s hope for every lapsed writer! What brought you back into poetry, do you
think?
A
friend threw a 40th birthday party for me, where people performed
and sang. Very enjoyable, except that they had dug out a few of my old poems
and these were read, to my deep embarrassment! It made me think, though, and
soon afterwards I attended a weekend writing workshop which really inspired me.
At another workshop I met James Conway, who runs Rathmines Writers' Workshop, a
long-standing group which meets weekly. I joined the group and the challenge to
produce a new poem every week got me going. I would encourage anybody who is
starting out or re-starting to attend courses/workshops, and to join a group
where you get helpful feedback. Since then I have always been part of a
work-shopping group: I spent about 5 years each in Rathmines and then Airfield
Writers, then set up a small peer group with my friend Jane Clarke and three
others. The group keeps my focus whenever I lose it. We do 2 poems each and stick
to a strictish half hour per person arrangement, after which we all need to go
home!
How did your first poetry collection come about?
How did your first poetry collection come about?
I was preparing my first manuscript to send out when I saw an ad
for the Cork Literary Review/ Bradshaw Books manuscript competition. So I sent
my collection, Whose Counting there
and was very lucky to win in 2009. Tina Pisco was writer in residence at Tigh
Fili/ Bradshaw Books at that time, and she and Maura Bradshaw were very
encouraging to me in getting the book out. They got me down to Cork to do a few
readings which was a big help.
And what
about your most recent collection?
Bradshaw Books encouraged me to move on as they prefer to
publish new writers, so for my second collection I did have to decide where
best to send my work. Again I was lucky in that Arlen House does not accept
unsolicited manuscripts, but a fellow writer who knew my work suggested they
have a look at it. Alan Hayes and I exchanged edited versions of the manuscript
and met to agree on final changes. He pointed out that I am over-fond of
italics, so I will watch out for that in future! Apart from that, we tended to
be in agreement about the changes to be made, so it progressed quickly. The
book was launched in Dublin in July, and I'll be taking it on tour from next
week (Kilkenny on 27th August) with Jane Clarke, who is promoting
her new book, The River.
What do you have coming up?
Stone House Books, Kilkenny
The Kilkenny launch of Spanish Affair and Jane Clarke's The River is in Stone House Books on Thursday 27th August at 7pm. Music by Eamon Sweeney, whose Spanish guitar is featured on the CD Spanish Affair.
Café Fusion, Wexford
Shirley and Jane read at Café Fusion on Friday 4th September at 8pm.
Courthouse Arts Centre, Tinahely, Co. Wicklow
Shirley McClure, Jane Clarke, and classical guitarist, Eamon Sweeny, will give a performance of poetry and music on Thursday 24th September at 8.30pm.
Bray Arts, Bray
A performance of poetry and music from Spanish Affair with Eamon Sweeney, Katie Donovan, Jane Clarke, Lizzy Morrissey and Shirley McClure, Monday 5th October at the Martello Hotel, Strand Road, Bray. 8 pm.
The Kilkenny launch of Spanish Affair and Jane Clarke's The River is in Stone House Books on Thursday 27th August at 7pm. Music by Eamon Sweeney, whose Spanish guitar is featured on the CD Spanish Affair.
Café Fusion, Wexford
Shirley and Jane read at Café Fusion on Friday 4th September at 8pm.
Courthouse Arts Centre, Tinahely, Co. Wicklow
Shirley McClure, Jane Clarke, and classical guitarist, Eamon Sweeny, will give a performance of poetry and music on Thursday 24th September at 8.30pm.
Bray Arts, Bray
A performance of poetry and music from Spanish Affair with Eamon Sweeney, Katie Donovan, Jane Clarke, Lizzy Morrissey and Shirley McClure, Monday 5th October at the Martello Hotel, Strand Road, Bray. 8 pm.
No Alibis Bookshop, Belfast
Poet Paula Cunningham will launch
Jane Clarke's The River & Shirley McClure's Stone Dress on Thursday, October
8th at 6.30 pm.
Imagine Festival, Waterford
A reading by Shirley McClure and Jane Clarke at Waterford Book Centre, as part of the Imagine Festival. 3 pm on Sunday 25th October.
Imagine Festival, Waterford
A reading by Shirley McClure and Jane Clarke at Waterford Book Centre, as part of the Imagine Festival. 3 pm on Sunday 25th October.
Books Upstairs Cafe & Bookshop,
Dublin
A reading by poets Paula Cunningham,
Rosy Shepperd, Jane Clarke & Shirley McClure on Thursday 26th November at 7
pm.
Thanks Shirley. Good luck with your upcoming readings with Jane.
Here’s a poem from Shirley’s second collection, Stone Dress published by Arlen House, available to buy online from Kenny’s bookshop.
Groomed
Today she has been clipped, primped,
squeezed,
handed back with a pink bow, she's a
smooth black angel
beneath whose sleek chops, butter
wouldn't melt.
Tonight is warm, the garden wild
with possibility.
Suddenly the bellows of her belly
surge, her body spasms
to expel the rare meat struggling in
her mouth.
On the grass the hedgehog still
breathes, but somehow
she has opened him, got right in
without incurring
a single spine on her perfectly
barbered snout.
Bio:
Shirley McClure's new collection, 'Stone Dress', is published by Arlen House in August 2015. Her CD Spanish Affair, with her own poems plus poetry and music from invited guests, was launched in June. All proceeds from the CD go to Arklow Cancer Support Group, where she facilitates a writers' group. Her first poetry collection, Who's Counting? (Bradshaw Books) won Cork Literary Review's Manuscript Competition 2009. She won Listowel Writers' Week Originals Poetry Competition 2014. Shirley lives in Bray, Co. Wicklow.
Shirley’s website is here: www.thepoetryvein.com
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